April 2012 144 pages | ISBN 978-1-894987-59-2 With her characteristic fearlessness Catherine Owen examines what drives her to write and the influences that shape her writing. From her childhood memories in suburban Vancouver to her willingness to risk all for a glimpse of her muse, the essays in Catalysts allow readers unparalleled insight into Owen’s creative life. A brilliantly honest collection, these essays should be read by every aspiring author. Articles Raw Throat & Bloody Knuckles: The Writing of Catherine Owen (Natalie Zina Walschots, 23/04/2013)"Owen is a poet of the raw throat and bloody knuckle. Free from guile and affectation,… Read more
April 2012 144 pages | ISBN 978-1-894987-59-2
With her characteristic fearlessness Catherine Owen examines what drives her to write and the influences that shape her writing. From her childhood memories in suburban Vancouver to her willingness to risk all for a glimpse of her muse, the essays in Catalysts allow readers unparalleled insight into Owen’s creative life. A brilliantly honest collection, these essays should be read by every aspiring author.
Articles
Raw Throat & Bloody Knuckles: The Writing of Catherine Owen (Natalie Zina Walschots, 23/04/2013) "Owen is a poet of the raw throat and bloody knuckle. Free from guile and affectation, she speaks from a place of authenticity, passion and genuine urgency. Even during her most sophisticated attempts at essay or exegesis, Owen remains unafraid to leap into the pit at a moment’s notice and throw herself against the muse, a personal demon or any other spectre that may emerge. Her work is as steely-eyed as it is steel-toed."
Reviews
"Language to Live By" (Tiffany Johnstone, Canadian Literature, 01/04/2014) "Catalysts abounds in inter-textual references that challenge us to abandon lingering perceptions of art as a pure or timeless aesthetic practice. What we have instead is a polyphonic 'mishmash' of 'language and rhythm,' a conversation rich in peculiarities."
Owen moves from strong to weak and back (Philip K. Thompson, Chronicle Herald, 26/08/2012) “Best of all, Owen describes the essential tension between performance or spoken word poetry, and poems written for the printed page. Her advice to poets and performers in these distinct, but related genres, is the best I’ve ever heard.”
Review (Mark Sampson, Free Range Reading, 22/07/2012) "Catalysts is a testament to a life immersed in poetic forms, a searching for truth through the prismatic (and often cruel) facets of circumstance and self."
Review (Anne Burke, Feminist Caucus, 09/07/2012) "This is an extraordinary collection of contemplations, revelations, and confabulations from an accomplished poet."
Catherine Owen, Equinox and Solstice (Canadian Poets Petting Cats, 10/07/2012) "I think Catalysts is more a companion to my poetry books in the end, never seeking to reductively explicate them but instead engaging in an elaboration of their quirks and meanderings and sinkholes. A decade plus of ruminations and asides on the art of the foolish word-musician."
Videos
Catherine Owen and Sydney Lancaster read an excerpt from "Engaging Space: Collaborations on the Berm with Sydney Lancaster" from her non-fiction collection, Catalysts: Confrontations with the muse in Toronto in May 2012.
Catherine Owen is the author of ten collections of poetry and three of prose, including her compilation of interviews on writing called The Other 23 & a Half Hours: Or Everything You Wanted to Know that Your MFA Didn’t Teach You (Wolsak & Wynn, 2015) and her short story collection, The Day of the Dead (Caitlin Press, 2016). Her work has been nominated for awards, toured Canada eight times and appeared in anthologies, as well as translations. She has been employed by both the Locations and the Props department in TV land, plays metal bass and has two cats: Solstice and Equinox.
Catherine Owen, Equinox and Solstice (Canadian Poets Petting Cats, 10/07/2012)
"I think Catalysts is more a companion to my poetry books in the end, never seeking to reductively explicate them but instead engaging in an elaboration of their quirks and meanderings and sinkholes. A decade plus of ruminations and asides on the art of the foolish word-musician."
Raw Throat & Bloody Knuckles: The Writing of Catherine Owen (Natalie Zina Walschots, 23/04/2013)
"Owen is a poet of the raw throat and bloody knuckle. Free from guile and affectation, she speaks from a place of authenticity, passion and genuine urgency. Even during her most sophisticated attempts at essay or exegesis, Owen remains unafraid to leap into the pit at a moment’s notice and throw herself against the muse, a personal demon or any other spectre that may emerge. Her work is as steely-eyed as it is steel-toed."
"Language to Live By" (Tiffany Johnstone, Canadian Literature, 01/04/2014)
"Catalysts abounds in inter-textual references that challenge us to abandon lingering perceptions of art as a pure or timeless aesthetic practice. What we have instead is a polyphonic 'mishmash' of 'language and rhythm,' a conversation rich in peculiarities."
Owen moves from strong to weak and back (Philip K. Thompson, Chronicle Herald, 26/08/2012)
“Best of all, Owen describes the essential tension between performance or spoken word poetry, and poems written for the printed page. Her advice to poets and performers in these distinct, but related genres, is the best I’ve ever heard.”
Review (Mark Sampson, Free Range Reading, 22/07/2012)
"Catalysts is a testament to a life immersed in poetic forms, a searching for truth through the prismatic (and often cruel) facets of circumstance and self."
Review (Anne Burke, Feminist Caucus, 09/07/2012)
"This is an extraordinary collection of contemplations, revelations, and confabulations from an accomplished poet."
Catherine Owen is the author of ten collections of poetry and three of prose, including her compilation of interviews on writing called The Other 23 & a Half Hours: Or Everything You Wanted to Know that Your MFA Didn’t Teach You (Wolsak & Wynn, 2015) and her short story collection, The Day of the Dead (Caitlin Press, 2016). Her work has been nominated for awards, toured Canada eight times and appeared in anthologies, as well as translations. She has been employed by both the Locations and the Props department in TV land, plays metal bass and has two cats: Solstice and Equinox.
