Bedlam Cowslip: The John Clare Poems
80 pages | ISBN 978-1-928088-05-9
**Winner of the 2016 Saskatchewan Arts Board Poetry Award**
In this new collection, Jeanette Lynes turns her attention to the life and work of John Clare (1793–1864), the renowned poet of the countryside and one of England’s greatest working-class bards. In these poems, the Romantic world of Clare – strewn with wildflowers and dizzy with birdsong – is visited by a new, postmodern voice, and the conversation that ensues is both profound and dazzling. Painstakingly researched and deftly crafted, these poems share Clare’s loves, ambitions, rages and failures. Lynes has created an uplifting poetic biography on a bright poetic star that has been rising for over a century.
"Under the Cover: Begun in Grief and Silence—The Writing of Bedlam Cowslip" (All Lit Up, 03/03/2016)
"To help pass the time, Lynes wandered the grounds, which included “a lovely little library” where she found Jonathan Bate’s biography of Romantic poet John Clare. Says Lynes:
I was instantly enchanted, took the biography back to my room, crawled into bed and read. ‘If I can’t write,’ thought I, ‘at least I can read.’"
"The Shaken and the Stirred – Canadian Poets Rock the UK" (Grace O'Connell, Open Book Toronto, 04/11/2015)
“It was amazing to be in a pub that existed when John Clare was alive, amazing to sip a pint in a pub where the Bee Gees played billiards, and amazing to stand, with Catherine Graham and Holly Luhning into front of the house where Sylvia Plath first lived.”
Pummeling the Enemy Volta (Cora Siré, Arc Poetry Magazine, 10/04/2017)
"By contemporizing Clare’s language with dazzling wit, Lynes generously transfers her brilliance to her subject."
To prog, to swee, to haynishly versify (Anita Lahey, Fiddlehead, 19/10/2016)
"Cloaking herself in the linguistic and political passions of a nineteenth-century peasant-poet boy wonder, Lynes succeeds in reanimating a remarkable, singular voice that might otherwise be hard for many contemporary ears to truly hear, while at the same time inflecting it with her own accent: that of a woman writing in the post-colonial twenty-first century, many generations after the societal changes and tensions that affected Clare, but in a time when his own concerns ring ominously clear."
"Outrageous Intelligence: Two New Collections of Poems from Buckrider Books, 2015" (Catherine Owen, Marrow Reviews, 28/10/2015)
“A real rapacious romp through the fields of blooms and language. The reader instantly draws closer to Clare and his era through Lynes’ wicked ability to empathize with the thoughts, motions, aches and losses of this singular poet.”
A sedge-bird cock drops caterpillars
into the female’s gaping gob. Titmouse feeds
her young 120 caterpillars in thirty minutes –
imagine a whole day! The plum trees love
being rid of those caterpillars.
Caterpillars cannot love – no time, their fat rainbow fur
bait alone. Look to trees for passion – the gold wren
pastes her eggs to the nest with fir-gum, eggs
saved from wind-lash. Anyone would paste his children
down. Look to the knees –
my small daughter warming mine. A cuckoo
shot (not by me) – the inside of its mouth was of a fine red.
Look not to rifles for love, or caterpillars.
About the Author
Jeanette Lynes is the author of one novel and five collections of poetry. Her novel, The Factory Voice (Coteau, 2009), was longlisted for The Scotiabank Giller Prize and a ReLit Award. Her poetry has been shortlisted for the Pat Lowther Memorial Award and has won The Bliss Carman Award.
She has been Writer in Residence at Saskatoon Public Library, University of Manitoba, Kwantlen Polytechnic University, among other places. Archive of the Undressed is Jeanette's sixth collection of poetry. She has taught writing at the Banff Centre and The Sage Hill Writing Experience. She is Coordinator of the MFA in Writing at the University of Saskatchewan's Interdisciplinary Centre for Culture and Creativity and a member of the Department of English.
Other titles by this Author
Archive of the Undressed (2012)
The New Blue Distance (2009)
Left Fields (2003)