October 3, 2017
96 PAGES | ISBN 978-1-928088-42-4
*Shortlisted for the Raymond Souster Award*
Voodoo Hypothesis is a subversion of the imperial construct of "blackness" and a rejection of the contemporary and historical systems that paint black people as inferior, through constant parallel representations of "evil" and "savagery." Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary "black experience"? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself.
“In Canisia Lubrin’s debut collection of poetry, she pointedly observes that ‘the alien we think we know is the alien we only dream up.’ Voodoo Hypothesis is an imperative invocation of black dreams, an invitation for the living and the dead to define themselves. With poems at once epic and intimate, Voodoo Hypothesis requires a reverence for the individual word, to bear witness to Lubrin’s ‘brilliance indistinguishable from magic.’” – Vivek Shraya, author of even this page is white and She of the Mountains
“Canisia Lubrin’s lush, winding poetic lines are the incantations of a furious imagining. Lubrin’s speakers seem to have lived in generations of bodies of the African diaspora, and through centuries of migrations, slavery and neo-capitalism. Yet hers is still one single, contemporary vision – grieving, mongrel-cultured, exiled from the Caribbean archipelago’s sun. Here is a brilliant new Canadian voice, in the lyric lineage of Dionne Brand and M. NourbeSe Philip, raising up language like a shield against European histories and sciences, raising up poetry like a sacrifice of sweat and blood.” – Sonnet L'Abbé, author of Killarnoe and Sonnet’s Shakespeare
“Voodoo Hypothesis is an interior in motion: a gorgeous, searching intelligence. It is a womb/tomb of luminous inquiry. A semi-permeable ship where your mind is in concert with Lubrin’s forward propagating lineation, a participatory dreamscape that leads you back to your own culpability. This is a work that reads you, too.” – Liz Howard, author of Infinite Citizen of the Shaking Tent and winner of the Griffin Poetry Prize
Unraveling Time, Space, and Human Existence: A Review of Voodoo hypothesis by Canisia Lubrin (Anna Graue, Glass: A Journal of Poetry, 15/08/2018)
"Canisia Lubrin’s Voodoo Hypothesis is a stunning collection that retells and reveals the terrible truths about colonialism and institutional racism. The poems serve as reminders and warnings, predictions of what future colonies might endure as far away as Mars or Saturn."
Voodoo Hypothesis — Canisia Lubrin (A Buckrider Book/Wolsak & Wynn) (Michael Dennis, Today's Book of Poetry, 12/05/2018)
"Canisia Lubrin is a poet you are going to want to stay in tune with, her voice is the next generation of strong Canadian women. This is a vibrant voice keening with history, richly tempered by the lessons of systemic diaspora and frantic with love disguised as hope and reason."
Becoming-Gods: Canisia Lubrin's Army of Revolutionary Zombies (Jessica MacEachern, The Puritan, 05/03/2018)
"In a mongrel language of lyric, scientific, and metaphysical credos, Lubrin fashions a text of such power that it threatens to veer up and walk over the unsteadied body of its reader. The book’s experiments in syntax and powerful disruptions of linear temporality present a poetics that spans eons and geographies beyond traditional appraisals of space and time; its promise is of an infinitely-expanding universe wherein we may consult the ancient ocean-spanning tapestries of ancestral memory and, by weaving stories out of darkness, awaken back to life those lost to racialized violence."
Today Is a Good Day to Dream: Canisia Lubrin’s VOODOO HYPOTHESIS (Julie Mannell, Vallum Magazine, 05/01/2018)
"Canisia Lubrin’s seminal book of poetry Voodoo Hypothesis is
one of the most artful and influential works to emerge in Canada in 2017. It raises the bar for what can be expected of debut collections. Voodoo Hypothesis reconstructs history as visceral, bodily, and endured as perpetual, intergenerational psychic injury. The poems are a map of historical displacement depicted by Lubrin as mental and physical manifestations that are both purposeful and lyrical." Read the full review.
Benjamin Hertwig’s Slow War and Canisia Lubrin’s Voodoo Hypothesis
Reviewed by Domenica Martinello (Domenica Martinello, Canadian Notes & Queries, Winter 2018)
"Voodoo Hypothesis does not feel like a first book. Lubrin merges the music of a strange, ornate syntax with Caribbean Creole, patois, and formal fragments. Each stanza [...] makes us feel like we’re moving from room to room under the roof of something expansive, all encompassing. [...] The poems are so rich and pleasurable that they earn a slow and considered attention. Readers readily sign on [...] as Lubrin re-narrativizes a complex and contemporary black selfhood with power, tenderness, and grace."
REVIEW: Canisia Lubrin’s first poetry collection tackles pop culture, science, and news on race (Jessica Rose, THIS Magazine, 22/12/2017)
"Lubrin’s crisp, pointed poems and keen sense of observation are breathtaking, quickly making it obvious why this collection is garnering attention across the country."
Wanderlust and Relative Need for Lightspeed (Geoffrey Morrison, Debutantes, 30/11/2017)
"Reading Voodoo Hypothesis can feel like seeing the world for the first time – not because of an absence but rather an abundance of attention to history, and to the future, too. Lubrin’s cosmic-scale visions of movement, captivity, and displacement work like a magnetic force that detaches all commonplace associations from one another."
Two Marrow Reviews on Buckrider titles: Graham’s The Celery Forest and Lubrin’s Voodo Hypothesis (Catherine Owen, Marrow Reviews, 09/11/2017)
"Lubrin’s opus is not only an impressive initial foray, but a crucial expansion of poetic modes and voicings in Canada, an antidote to the predominant narrowings that can occur as language drastically flattens out into utter comprehensibility and the accessible, in the process being starved of its wild sonatas."
A Review of Canisia Lubrin's Voodoo Hypothesis (Carl Watts, Hamilton Review of Books, 01/11/2017) Lubrin’s approach is refreshing. I’ve long been frustrated by poets whose work is purported to be immediate and innovative yet whose actual poems are built entirely of the mythological references that have propped up English verse for hundreds of years. Lubrin seems interested more in draining these references of their remaining meaning and then discarding them.
Debut Poets Mark the Latest Collections for Poetry Lovers
(Barbara Carey, The Toronto Star, 01/11/2017)
Lubrin's poems are dense with ideas and striking turns of phrase, as she attempts to chart the 'maps of speechless centuries' and 'the Morse events of smallest things.' This density makes her work challenging at times, but also immensely rewarding.
The Poetry Extension's Poet of the Month (Natalya Anderson, The Poetry Extension, 15/05/2018)
"I was born [...] into an orally-rich cultural tradition. A lot of storytelling, folk tales, and community theatre. What I like to think of as embodied art. For me, art is something that has always been intimately tied to the voice. And St. Lucia is largely mountainous. The landscape itself is loud, dramatic. What I inherited is in no way minimalist. This has to have translated into my writing, into poetry that mirrors those experiences."
Why poet Canisia Lubrin embraces chaos (CBC Books, 01/03/2018)
"Poetry and prose may not be as trapped in polarity as their legends suggest. And I am not sure I have an answer you should take to the bank, yet, I think that a significant difference between the two may be that poetry is the work of artful expressions of compressed language, while prose is language bound and lengthened primarily through narrative cause and effect."
How growing up in St. Lucia nurtured poet Canisia Lubrin's imagination (Shelagh Rogers, The Next Chapter, 19/02/2018)
"Language has the capacity not just to expand the mind, but to contain a certain significance that is otherwise lost. Because of this capacity, poetry in particular has the opportunity to show us that there is so much more to what language actually is and what it does. It traverses boundaries and landscapes."
First Books: Canisia Lubrin (Guelph Creative Writing MFA blog, 23/01/2018)
"One of the most impressive debuts of recent reading for me comes in the compassionate anger of Vladimir Lucien's Sounding Ground, a book full of intelligent, colloquial, punny, witty, memorable reflections on the personal, psychosocial and historical soundscape of the poet's homeland of St. Lucia and its regional 'commonwealth.' If you invite a first book to a party and hope that it comes with an awareness of a Caribbean beyond over-simple curio or colonial utility, and if you want that book to give you a new sense of what you already thought familiar, Sounding Ground just might be that book."
An Interview with Canisia Lubrin (James Lindsay, Open Book, 21/11/2017)
"I think poetry is a heck of a chameleon of an art form. It can’t be tethered to singularity but it operates through particularity. What makes poetry such a badass is its multivocal, world-bending ability to express things that often escape expression. The work of poetry is beauty and clarity and possibility by way of language."
Canadian Poets Rocking Worlds (Rayanne Haines, Edmonton Public Library Blog, 11/08/2018)
Canisia's book is on the Canadian Poets Rocking Worlds list of general recommended poetry curated by author Rayanne Haines.
100 writers in Canada you need to know now (CBC Books, 16/07/2018)
18 writers to watch in 2018 (CBC Books, 08/06/2018)
"Alight with magic, Lubrin's collection Voodoo Hypothesis traverses time and space, exploring topics of race, oppression and colonialism through a folkloric lens."
14 Canadian poets to watch in 2018 (Ryan B. Patrick, CBC Books, 13/04/2018)
"Voodoo Hypothesis uses both modern language and folklore to explore race, oppression and colonialism."
6 Black Canadian writers to watch in 2018 (Ryan B. Patrick, CBC Books, 13/02/2018)
"Lubrin's work is dedicated to speaking truth to power and future works from this writer promise to run along the same wavelength."
On women in publishing and an intersectional feminist booklist (BookNet Canada, 24/01/2018)
Canisia's book makes the list of LPG staff–recommended books for the intersectional feminist.
10 Must-read Books of 2017 (League of Canadian Poets, 21/12/2017)
Our Holiday Reads (Kerry Clare, 49th Shelf, 21/12/2017)
The best Canadian poetry of 2017 (CBC Books, 18/12/2017)
"Leaning in on magical imagery, Canisia Lubrin's poetry collection is the result of her Caribbean upbringing, listening to fantastic tales and learning the power of language on her grandmother's lap."
2017 Holiday Gift List (Another Story Book Shop, 08/12/2017)
Collections of Canadian Poems that Made Me Fall in Love with Poetry (Kait Fowlie, She Does the City, 07/12/2017)
"With references pulling from pop culture, news stories, science and folklore, Voodoo Hypothesis responds to representations of people of colour as inferior, and asks, why is 'othering' so essential to Western myth? Canisia uses a combination of Caribbean Creole, English patois and baroque language to weave a super intensely political, artful web."
Canisia Lubrin: That Instrument of Laughter (Canisia Lubrin, Lemonhound 3.0, 03/11/2017)
How I Wrote It: Canisia Lubrin evokes the folkloric magic of St. Lucia in a poetic takedown of contemporary racism (CBC Books, 01/11/2017)
Alight with magic, Canisia Lubrin's poetry collection Voodoo Hypothesis traverses time and space, exploring topics of race, oppression and colonialism through a folkloric lens. This, she explains, is the result of her Caribbean upbringing, listening to fantastic tales and learning the power of language on her grandmother's lap.
Canisia Lubrin was born in St. Lucia. She has had work published in literary journals including Room, The Puritan, This Magazine, Arc, CV2and The City Series #3: Toronto Anthology. She has been an arts administrator and community advocate for close to two decades. Lubrin has contributed to the podcast On The Line, hosted by Kate Sutherland for The Rusty Toque. She studied at York University where she won the President's Prize in poetry and the Sylvia Ellen Hirsch Memorial Award in creative writing. Lubrin holds an MFA from the University of Guelph and teaches at Humber College. She lives in Whitby, Ontario.