Naked Trees

• John Terpstra takes the Magic 8 (Canada Writes, CBC, 21/03/2013)
  "The author of Two or Three Guitars: Collected Poems, and Disarmament fields questions from the Canadian literati on how his 'work for money' choices have influenced his writing,  his 'geography of writing,' and why writing poetry is like sky-diving."
  
• The Proust Questionnarie with John Terpstra (Erin Knight, Open Book: Ontario, 22/06/2012)
  "His book is a reference guide for the weary, heat-soaked flaneur who leans against the worn wood of a utility pole or takes refuge from the sun under the boughs of an old maple."

• Rocky Seas, Safe Arbour (Nicholas Bradley, Canadian Literature, 2014)
  “Terpstra’s poetry teems with arboreal satisfactions.”
  
• Walking Around Writing (Barbara Myers, ARC, 21/03/2013)
  “His prose poems are so lyrical that the notion of lines begins to seem like an over-refinement that would add nothing but preciousness and unwanted artifice to the clarity of his compositions.”
  
• Renowned Hamilton Poet Pays Tribute to Urban Trees (Adele Konyndyk, Hamilton Arts Council 07/09/2012
  “Naked Trees is a journey to be taken and re-taken, like a favourite path or street revisited. Perhaps the best way to read it is to embrace it as an invitation—a call to look more closely at the trees you encounter, in all environments and seasons.”
  
• Naked Trees finely grained, thoughtful prose poetry (Phil Thompson, The Chronicle Herald, 22/07/2012)
  "Naked Trees is finely grained, thoughtful prose poetry with only a few decorative knots, and the woodcut illustrations by Wesley Bates fit the text like a well-glued joint in your best furniture.”
  
• The Kissing Sailor, and other new books worth a look (The Globe and Mail, 22/06/2012)
  "He tells of towering white oaks along the QEW and the black walnut trees of Hamilton, discusses the beauty and functionality of utility poles, and the joy of creating a work of art from black cherry wood.”
  
• A feeled guide to the trees (Amy Kenny, The Hamilton Spectator, 03/05/2012)
  "With Naked Trees, Terpstra captures something he couldn’t find in the pages of books like The Native Trees of Canada – a 1917 reference guide that influenced his work. He wanted to move beyond the scientific and get at something deeper. How does it feel to stand beneath boughs? What’s it like to look up at stretching branches? What do trees do in an urban environment like downtown Hamilton? Poems like 'Place' touch on how essential trees are to the physical spaces they occupy – how they’re tethered to location in ways human beings can find difficult."
  
• John Terpstra Reading from Naked Trees (Fieldwork, 01/02/2013)
  Johns Terpstra reads from the new edition of Naked Trees on the inaugural broadcast of Fieldwork, an online video broadcast about people who contribute to the health and vitality of their community.

John Terpstra is the author of ten books of poetry and four books of non-fiction. He often plays in that zone where human beings interact with nature – nature in the city, not the country. The nature he gravitates toward is one that has some experience of us, has had to live with us and our demands, and is no longer pure or whole or perfect, but still somehow manages to be itself – maybe even more than when it was "wild." He is interested in how the natural geography and built geography integrate and relate to each other, in how history is simultaneous with now. Daylighting Chedokeis a companion book to the two earlier books about Hamilton as a living, breathing geographical location, Falling into Placeand The House with the Parapet Wall. He lives in Hamilton, ON.